/tagged/new+york/page/2
WATER STREET, NEW YORK 1978, Cat. 13130,0 x 40,0 cm (66,0 x 84,0 cm framed)

thomas struth

WATER STREET, NEW YORK 1978, Cat. 131

30,0 x 40,0 cm (66,0 x 84,0 cm framed)

thomas struth

archiveofaffinities:

Paul Rudolph, Graphic Arts Center, New York, New York, 1967

archiveofaffinities:

Paul Rudolph, Graphic Arts Center, New York, New York, 1967

(via arkitektonas)

pepsi-cola building, 1959
by gordon bunshaft
one of the finest example of corporate modernism

pepsi-cola building, 1959

by gordon bunshaft

one of the finest example of corporate modernism

marcel breuer and jackie o. at whitney open in 66.

marcel breuer and jackie o. at whitney open in 66.

from paris vs. new york

from paris vs. new york

letter to n.y.

For Louise Crane

In your next letter I wish you’d say
where you are going and what you are doing;
how are the plays, and after the plays
what other pleasures you’re pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road goes round and round the park
and the meter glares like a moral owl,

and the trees look so queer and green 
standing alone in big black caves
and suddenly you’re in a different place 
where everything seems to happen in waves,

and most of the jokes you just can’t catch,
like dirty words rubbed off a slate,
and the songs are loud but somehow dim 
and it gets so terribly late,

and coming out of the brownstone house 
to the gray sidewalk, the watered street, 
one side of the buildings rises with the sun 
like a glistening field of wheat.

—Wheat, not oats, dear. I’m afraid
if it’s wheat it’s none of your sowing, 
nevertheless I’d like to know
what you are doing and where you are going.

-

Elizabeth Bishop

movie theatre in harlem 
ⓒ 2010

movie theatre in harlem 

ⓒ 2010

WATER STREET, NEW YORK 1978, Cat. 13130,0 x 40,0 cm (66,0 x 84,0 cm framed)

thomas struth

WATER STREET, NEW YORK 1978, Cat. 131

30,0 x 40,0 cm (66,0 x 84,0 cm framed)

thomas struth

ymutate:
artist RYOJI IKEDA the transfinite
 source  armorypark

ymutate:

artist RYOJI IKEDA the transfinite
source armorypark
archiveofaffinities:

Paul Rudolph, Graphic Arts Center, New York, New York, 1967

archiveofaffinities:

Paul Rudolph, Graphic Arts Center, New York, New York, 1967

(via arkitektonas)

pepsi-cola building, 1959
by gordon bunshaft
one of the finest example of corporate modernism

pepsi-cola building, 1959

by gordon bunshaft

one of the finest example of corporate modernism

marcel breuer and jackie o. at whitney open in 66.

marcel breuer and jackie o. at whitney open in 66.

from paris vs. new york

from paris vs. new york

letter to n.y.

For Louise Crane

In your next letter I wish you’d say
where you are going and what you are doing;
how are the plays, and after the plays
what other pleasures you’re pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road goes round and round the park
and the meter glares like a moral owl,

and the trees look so queer and green 
standing alone in big black caves
and suddenly you’re in a different place 
where everything seems to happen in waves,

and most of the jokes you just can’t catch,
like dirty words rubbed off a slate,
and the songs are loud but somehow dim 
and it gets so terribly late,

and coming out of the brownstone house 
to the gray sidewalk, the watered street, 
one side of the buildings rises with the sun 
like a glistening field of wheat.

—Wheat, not oats, dear. I’m afraid
if it’s wheat it’s none of your sowing, 
nevertheless I’d like to know
what you are doing and where you are going.

-

Elizabeth Bishop

movie theatre in harlem 
ⓒ 2010

movie theatre in harlem 

ⓒ 2010

letter to n.y.

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snapshots, resonance, and ideas